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Canadian cinema

Alex Heeney / April 23, 2024

Film Review: M. H. Murray’s I Don’t Know Who You Are

M. H. Murray’s directorial debut, I Don’t Know Who You Are, does for access to PEP what Never Rarely Sometimes Always did for abortion access.

Alex Heeney / October 28, 2023

Film Review: Carol Kunnuk and Lucy Tulugarjuk’s Tautuktavuk (What We See)

Inuk filmmakers Carol Kunnuk and Lucy Tulugarjuk’s Tautuktavuk (What We See) is a film about female friendship and how women talk about and around trauma.

Alex Heeney / October 25, 2023

Film Review: Jules Koostachin’s WaaPaKe (Tomorrow)

Cree filmmaker Jules Koostachin’s WaaPaKe (Tomorrow) collects testimonials from residential school survivors, their children, and grandchildren to illuminate intergenerational trauma and how Indigenous people are working to heal.

Alex Heeney / June 15, 2023

Falcon Lake explores the threshold between childhood and adolescence

Charlotte Lebon’s feature debut is a sensitive look at a pair of teenagers caught between childhood and adulthood, friendship and romance.

Alex Heeney / June 2, 2023

I Used to Be Funny is a thoughtful dramedy about PTSD

Ally Pankiw’s I Used to Be Funny addresses coping with PTSD with a light touch, in this story of a struggling female comic.

C.J. Prince / May 11, 2023

Graham Foy on The Maiden

Foy mentions that the film’s day-for-night shots were inspired by Reichardt’s First Cow, which does likewise. How did cinematographer Christopher Blauvelt shoot day for night in First Cow? Blauvelt goes deep on this in our ebook on Kelly Reichardt, Roads to nowhere, available here.

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