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Cannes Film Festival

Alice Winocour, Disorder

Alex Heeney / August 11, 2016

Alice Winocour on Disorder, directing Matthias Schoenaerts

An interview with writer-director Alice Winocour on the genesis of Disorder, directing Matthias Schoenaerts, and the highly effective subjective sound mix. Read our review of the film here.

Disorder, Alice Winocour, Maryland

Alex Heeney / August 10, 2016

Disorder is a smart, heartpounding thriller

Although Alice Winocour’s “Maryland” works as a heartpounding home invasion thriller, it’s also a meditation on trauma, paranoia, class, and unfulfilled desire.

American Honey, Now Playing

Elena Lazic / May 25, 2016

Cannes Review: American Honey discards real emotions for pointless objectification

Though American Honey took home the Jury Prize at the Cannes Film Festival, our Cannes correspondent Elena Lazic found it cliched and problematic — a disappointment from the very talented Arnold.

Personal Affairs

Elena Lazic / May 18, 2016

Personal Affairs is a sweet Palestinian comedy about women refusing to be taken for granted

Personal Affairs offers a gendered and decidedly feminist consideration of the way people can sometimes forget or refuse to treat their loved ones with the respect they deserve.

Cafe Society

Elena Lazic / May 11, 2016

Cafe Society mocks and embraces backwards gender politics

Like the queasily dated Whatever Works — a film Allen wrote in the 1970s — Cafe Society insists on archaic gender politics.

Alex Heeney / February 5, 2016

Rams: Sheep farming is deadly serious business

Grimur Hakonarson’s Rams is part dark comedy, part family drama about two elderly brothers who haven’t spoken in years. The gorgeous Icelandic landscape provides the backdrop to this story about sheep farming and family reconciliation.

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