John du Pont (Steve Carrell with a prosthetic nose) was supposed to ride horses, a regal sport for a regal family — America’s richest dynasty. But he defied his …
[Read more...] about ‘Foxcatcher’ wrestles with entitlement and male bonding
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John du Pont (Steve Carrell with a prosthetic nose) was supposed to ride horses, a regal sport for a regal family — America’s richest dynasty. But he defied his …
[Read more...] about ‘Foxcatcher’ wrestles with entitlement and male bonding
In Force Majeure, an avalanche is a catalyst for the hilarious breakdown of a marriage. Östlund pushes all the events just to the edge of absurdity, to find the …
[Read more...] about Force Majeure: Ruben Östlund finds the comedy in marital strife
This year marks my 12th time attending the Toronto International Film Festival, meaning I've been coming here for nearly half my life. After making the rounds …
[Read more...] about Top 10 Reasons TIFF is better than Cannes and Sundance
Two wonderfully atmospheric films screening Out of Competition at Cannes this year, The Rover from Australia and El Ardor from Argentina, take a look at the …
The best thing about The Captive, Atom Egoyan’s entry in this year’s Official Competition at Cannes, is the way it doles out information slowly. Egoyan frames …
[Read more...] about Cannes Review: The Captive is captivatingly tense but shallow