This year marks my 12th time attending the Toronto International Film Festival, meaning I’ve been coming here for nearly half my life. After making the rounds on the film festival circuit this year – first at Sundance, then at Cannes – I’m still a firm believer that TIFF is the best film festival of them […]
Cannes Film Festival
Reviews: The Rover and El Ardor — On the fringes of society, you have to kill to survive
Two wonderfully atmospheric films screening Out of Competition at Cannes this year, The Rover from Australia and El Ardor from Argentina, take a look at the savagery that happens on the fringes of society.
Cannes Review: The Captive is captivatingly tense but shallow
The best thing about The Captive, Atom Egoyan’s entry in this year’s Official Competition at Cannes, is the way it doles out information slowly. Egoyan frames each shot so precisely so that we’re always aware of what we’re not seeing, creating suspense as things are revealed. We open on an icy, tall man, Mika (Kevin […]