Canadian writer-director Keith Behrman on Giant Little Ones, a teen film about the ambiguity of sexual identity and the way internalized homophobia is poison to everyone. This is an excerpt from the ebook The Canadian Cinema Yearbook which is available for purchase here.
[Read more…] about ‘I wanted the film to be like a pop song’: Keith Behrman on Giant Little OnesFamily
Ep. 9: Best of 2018 Canadian cinema, part 2
Episode 9 of our podcast concludes our discussion on the best of 2018 Canadian Cinema, through the lens of Canada’s Top Ten Film List. In this episode, we discuss Genesis, Giant Little Ones, Mouthpiece, Roads in February, and What Walaa Wants.
Each year, the Toronto International Film Festival releases a list of Canada’s top ten best films. Using this list to guide discussion, Editor-in-Chief Alex Heeney, Executive Editor Orla Smith, Associate Editor Brett Pardy, and Contributing Writer Justine Smith discuss each film.
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We have split our discussion into two episodes to cover each film with depth. On this episode, we discuss:
- Genèse (Genesis) (dir. Philippe Lesage)
- Giant Little Ones (dir. Keith Behrman)
- Mouthpiece (dir. Patricia Rozema)
- Roads in February (dir. Katherine Jerkovic)
- What Walaa Wants (dir. Cathy Garland)
We also discuss our favourite 2018 Canadian films not on the list.
Show notes and recommended reading:
Read the 2018 Canada’s top 10 list
Interview: A country is drowning in Anote’s Ark. Director Matthieu Rytz discusses how he got involved with making the film and how he approached embedding himself, and us, into the story of life in Kiribati.
Interview: Falls Around Her centres a complex, middle-aged, Indigenous woman. Writer-director Darlene Naponse on her unconventional protagonist, capturing the beauty of a landscape through both visuals and sound, and the respect and care required to film on reservation land.
Review: First Stripes depicts masculinity in training. Jean-François Caissy’s verité documentary takes us behind the curtain to follow a group of Québécois recruits to the Canadian armed forces through the 12-week basic training boot camp. The film reveals how training designed to equalize recruits is yet another machine that reproduces a conservative set of norms.
Interview: Paper Year director Rebecca Addelman discusses fictionalising her first marriage into her feature debut, which took years of rewrites, great casting, and generous collaboration.
We included Canadian films Falls Around Her, Giant Little Ones, The Great Darkened Days, and Splinters as among our top 20 acquistion titles at TIFF ’18.
Editor-in-Chief Alex Heeney wrote a two part series on how Canadian cinema was the brightest star at TIFF18, but the festival should do more to bring these great films to critics and audiences.
This episode was edited by Edward von Aderkas.
Never miss another episode. Subscribe to the podcast now!
You can also subscribe on Stitcher, TuneIn, Google Podcasts, or Spotify.
Ep. 8: Best of 2018 Canadian cinema, part 1
Episode 8 of our podcast begins our discussion on the best of 2018 Canadian Cinema, through the lens of Canada’s Top Ten Film List. In this episode, we discuss Anthropocene, Edge of the Knife, Firecrackers, The Fireflies are Gone, and Freaks.
Each year, the Toronto International Film Festival releases a list of Canada’s ten best films. Using this list to guide discussion, Editor-in-Chief Alex Heeney, Executive Editor Orla Smith, Associate Editor Brett Pardy, and Contributing Writer Justine Smith discuss the best of Canadian cinema in 2018.
[fusebox_track_player url=”https://traffic.libsyn.com/secure/seventhrow/587036568-seventhrow-7r-e8-canadas-top-ten-pt-1.mp3″ image=”https://seventh-row.com/wp-content/uploads/2019/03/Ep8-Featured-Image.jpg” artist=”Alex Heeney, Brett Pardy, Orla Smith, & Justine Smith” subscribe_googlepodcasts = “https://play.google.com/music/listen?u=0#/ps/Iyjypezrg5ewsbm2atvukjpnicm” subscribe_itunes=”https://podcasts.apple.com/us/podcast/seventh-row-podcast/id1437069031?mt=2″ subscribe_soundcloud =”https://soundcloud.com/seventhrow” subscribe_spotify=”https://open.spotify.com/show/3yfsbjXBhHJFPdIDcCshoI” subscribe_stitcher =”https://www.stitcher.com/podcast/seventh-row-podcast?refid=stpr” subscribe_tunein=”https://tunein.com/podcasts/Arts–Culture-Podcasts/Seventh-Row-podcast-p1159237/ ]
We have split our discussion into two episodes to cover each film with depth. On this episode, we discuss:
- Anthropocene: The Human Epoch (dirs. Jennifer Baichwal, Nicholas de Pencier, & Edward Burtynsky)
- Sgaawaay K’uuna (Edge of the Knife) (dirs. Gwaai Edenshaw & Helen Haig-Brown)
- Firecrackers (dir. Jasmin Mozaffari)
- The Fireflies Are Gone (La disparition des lucioles) (dir. Sébastien Pilote)
- Freaks (dir. Zach Lipovsky & Adam Stein)
We also discusses the selection process and why this list is important the Canadian film industry. Part 2 will be posted next week.
Show notes and recommended reading for Canadian cinema in 2018
Interview: Anthropocene is an awe-inspiring look at environmental destruction. Co-directors Jennifer Baichwal, Edward Burtynsky, and Nicholas de Pencier discuss their third collaboration, Anthropocene: The Human Epoch.
Interview: Edge of the Knife tells a pre-colonialism story of the Haida legend of ‘The Wildman’. Co-director and Haida artist Gwaai Edenshaw discusses his landmark film Edge of the Knife (Swaaway K’uuna), the first feature film made in the Haida language.
We included Anthropocene, Edge of the Knife, Firecrackers, and The Fireflies are Gone as among our top 20 acquistion titles at TIFF ’18.
This episode was edited by Edward von Aderkas.
Never miss another episode. Subscribe to the podcast now!
You can also subscribe on Stitcher, TuneIn, Google Podcasts, or Spotify.
Nadine Labaki on the making of Capernaum, her most ambitious film to date
Nadine Labaki discusses Capernaum, an unflinching look at the poverty and injustice in the slums of Beirut told through the eyes of a child (Zain Al Rafeea) suing his parents for giving him life.
[Read more…] about Nadine Labaki on the making of Capernaum, her most ambitious film to date