After Love, the follow-up to The White Knights from director Joachim Lafosse, is a tense and heartbreaking post-marital drama about a couple with twins who have decided to break up, but haven’t quite managed to sever all their ties, starting with their home.
Festival Favourites
Poetry and identity in NFB animated feature Window Horses
In Window Horses, writer-director Ann Marie Fleming gets very specific about the alienation her poet Rosie has experienced as a Chinese-Iranian Canadian, and in turn, finds something more universal about displacement and the diaspora.
Haya Waseem discusses her TIFF short Shahzad set in Toronto
Pakistan-born, Toronto-based filmmaker Haya Waseem discusses her TIFF short film Shahzad, Seventh Row’s pick for the best Canadian short at the festival.
TIFF16: Miss Impossible is a crowd-pleasing coming-of-ager
Miss Impossible (Jamais Contente) is like if We Are The Best! were just about the spunky, outspoken Klara and she joined a band in which she was the only girl.
TIFF16: Bronwen Hughes talks Journey is the Destination
Before the world premiere of her new film Journey is the Destination, Canadian filmmaker Bronwen Hughes talked to the Seventh Row about why the film is a passion project, how she mimicked Dan Eldon’s journals in the film’s visual style, and Ben Schnetzer.
TIFF 2016: 10 must-see Canadian shorts
Oft-overlooked, TIFF Short Cuts is the place to look for new talent, and among the Canadian shorts, particularly resonant national stories. For every amateurish or incomprehensible short, there’s one that will grab you and leave an indelible mark. At TIFF 2016, some of the strongest short films were made by or about Canada’s First Nations, […]