Below Her Mouth attempts provocation and frank depictions of lesbian sex, but it forgets the emotion in its love story.
LGBTQ
Writer-Director Jenni Olson on her film essay, The Royal Road
Jenni Olson on her 16mm film essay, The Royal Road, a story of unrequited love told through the linear progression of California’s El Camino road.
San Francisco’s Frameline Festival expands understandings of queer cinema
Frameline Festival, San Francisco’s annual LGBTQ film festival showcasing new LGBTQ talent and stories about the LGBTQ community, features much lauded films from the festival circuit.
Director David Farrier discusses his documentary Tickled
Laura Anne Harris talks to David Farrier about using humour and reenactments in documentaries, developing the film’s aesthetic, and homophobia. Read our book about modern documentary cinema, In their own words: Documentary masters.
Much Ado About Nothing is a wonderful season opener for CalShakes’ new artistic director
Despite a rocky start with “additional text” consisting of embarrassingly bad rhyming couplets, director Jackson Gay’s Much Ado About Nothing proves a great night out at the theatre. It’s an unconventional but still hilarious take on one of the Bard’s most accessible plays.
The queer cult stardom of Tilda Swinton
Explicitly playing with gender and gender performance has been foundational to Swinton’s career and identity as a performer. Swinton’s queer identity emerges from a person who is both presumptively heterosexual and who has largely chosen presumptively heterosexual roles. So what makes her a queer cult figure? This is the 3rd feature in our special A Bigger Splash week.