Please Like Me returns for season 2, and it’s even funnier, smarter, stronger, and more mature.
LGBTQ
Reviews: pulp thriller Cold in July and disappointing LGBT drama Test
Every city has a cinema where movies go to die. In San Francisco, Landmark’s Opera Plaza Cinemas takes that honour: with five tiny screens and sound so tinny your iPod earbuds would probably be an improvement, the cinema plays hosts to movies that have worn out their welcome at Landmark’s bigger screens or that were […]
SFIFF Reviews: Bad Hair and Night Moves
Two of the highlights of this year’s SFIFF were the LGBTQ coming-of-ager Bad Hair and Kelly Reichardt’s environmental terrorism thriller, Night Moves.
SFIFF Film Review: Yossi Aviram’s La Dune is a story of two broken men
Yossi Aviram’s directorial debut, which he also penned, is a quiet story of two broken men — a father and his estranged son — who are always shot as lonely figures against a vast, beautiful landscape.
Sundance Review: Hong Khaou’s film Lilting explores grief with Ben Whishaw
Hong Khaou’s feature film debut, Lilting, is an exploration of grief, family, and the trauma of immigration. The film premiered at Sundance. Is there anything Ben Whishaw can’t do? He played Hamlet in the West End at twenty-three, Keats in Bright Star, Q in Skyfall, a timid but potentially dangerous young man in Criminal Justice, and […]
Review: Philomena — On the road with Steve Coogan and Judi Dench
When Philomena (Judi Dench) returns to the Irish convent in Roscrea, she almost winces at the sight of it, as she pulls into the driveway with the reporter Martin Sixsmith (Steve Coogan). It was here that her parents abandoned her, where she gave birth to her son as a teenager, and then spent several unhappy […]