Unlike the harrowingly exquisite Saint Maud, Rose Glass’s second feature film, Love Lies Bleeding, is just as likely to make you giggle as it is to make you gasp.
LGBTQ
Berlinale Review: Klára Tasovská’s I’m Not Everything I Want to Be
Klára Tasovská’s inventive documentary I’m Not Everything I Want to Be chronicles the life of photographer Libuše Jarcovjáková as she tries to become who she wants to be amidst oppression.
Berlinale Review: Dag Johan Haugerud’s Sex
In queer filmmaker Dag Johan Haugerud’s film Sex, two nameless middle-aged white men, both straight-married chimney sweeps, grapple with their views on gender roles and sexual identity in contemporary Oslo.
Berlinale Review: Anthony Schatteman’s Young Hearts
Anthony Schatteman’s warm and lovely debut feature film Young Hearts is a rare coming-out and coming-of-age film about characters as young as fourteen. The film Young Hearts screens in the Berlinale’s Generation K+ sidebar.
Berlinale Review: Ray Yeung’s All Shall Be Well
Ray Yeung’s film All Shall Be Well exposes how quickly family bonds can deteriorate and LGBTQ prejudices surface without legal protections.
Film Review: Andrew Haigh’s All of Us Strangers
Writer-director Andrew Haigh’s All of Us Strangers is part ghost story and part romance, and it feels like a warm hug.