In this interview, legendary indie filmmaker Patricia Rozema sits down with us to discuss her works, from Cannes award winner I’ve Heard the Mermaids Singing to her lesbian romance When Night is Falling to Kit Kittredge: An American Girl.
LGBTQ
Interview: Marija Kavtaradze on Slow
Lithuanian writer-director Marija Kavtaradze discusses her second feature film, Slow, in this interview.
Film Review: Caitlin Cronenberg’s Humane
We review Caitlin Cronenberg’s directorial debut, Humane, a huis clos horror film set in a near future of highly encouraged assisted death finds a rich family of awful pepole tring to decide who among them to kill.
Film Review: M. H. Murray’s I Don’t Know Who You Are
M. H. Murray’s directorial debut, I Don’t Know Who You Are, does for access to PEP what Never Rarely Sometimes Always did for abortion access.
Love Lies Bleeding is a slick, cheeky thriller about lesbian codependency
Unlike the harrowingly exquisite Saint Maud, Rose Glass’s second feature film, Love Lies Bleeding, is just as likely to make you giggle as it is to make you gasp.
Berlinale Review: Klára Tasovská’s I’m Not Everything I Want to Be
Klára Tasovská’s inventive documentary I’m Not Everything I Want to Be chronicles the life of photographer Libuše Jarcovjáková as she tries to become who she wants to be amidst oppression.