Anne Émond is one of the most exciting Canadian directors working today and deserves wider international attention. Her films play with time and genre as they explore the connection between the physical and the emotional aspects of her characters.
podcast
Ep. 44: Shirley and portraits of female artists
Josephine Decker’s new film Shirley is the latest in the recent trend of films re-examining the lives of women artists, in the process questioning our ideas of history and truth. Join us for a wild ride exploring the connections between Shirley, Portrait of a Lady on Fire, The Souvenir, Wild Nights With Emily, and many more.
Ep. 43: Take This Waltz and Paper Year: Canadian marriage stories
Take This Waltz and Paper Year are two standout Canadian films exploring the end of a marriage with empathy and emotional complexity. We discuss the film’s complex characters, considerate direction, and Canadianess
Ep. 42: Normal People and On Chesil Beach
This episode compares recent hit Normal People and site favourite On Chesil Beach, which both feature couples failing to communicate.
Ep. 41: In the Loop and My Internship in Canada: Political satires
This episode compares two political satires about nations on the bring of war, Armando Iannucci’s modern classic In the Loop and Canadian unseen gem Philippe Falardeau’s My Internship in Canada.
Ep. 40: Stories We Tell, Louder Than Bombs, & Mouthpiece: Dead mothers
This episode is on Stories We Tell, Louder Than Bombs, and Mouthpiece, formally expressive explorations of grief, memory, and subjectivity.