Director Cristian Mungiu discusses his approach to sound and framing in his new film, Graduation, which won Best Director at the 2016 Cannes Film Festival.
Sound Design
Writer-director Nacho Vigalondo on Colossal
In this interview, Colossal writer-director Nacho Vigalondo discusses developing the film’s aesthetic, its set design, and its subjective sound design.
Director Kleber Mendonça Filho on the sounds of Aquarius
Brazilian writer-director Kleber Mendonça Filho discusses his new film Aquarius, creating its complex sound design, choosing the soundtrack, and Brazilian architecture.
Alice Winocour on Disorder, directing Matthias Schoenaerts
An interview with writer-director Alice Winocour on the genesis of Disorder, directing Matthias Schoenaerts, and the highly effective subjective sound mix. Read our review of the film here.
With The Demons, Québécois Filmmaker Philippe Lesage defies convention
Québécois writer-director Philippe Lesage discusses how he upended our expectations about sound design, framing, and editing in his first feature The Demons
Joshua Oppenheimer discusses his haunted, ‘magical realist’ doc The Look of Silence
Joshua Oppenheimer discusses his collaboration with Adi Rukun, the importance of empathy, and the magical realist landscape and soundscape of his Oscar-nominated documentary The Look of Silence.