An interview with writer-director Alice Winocour on the genesis of Disorder, directing Matthias Schoenaerts, and the highly effective subjective sound mix. Read our review of the film here.
Sound Design
With The Demons, Québécois Filmmaker Philippe Lesage defies convention
Québécois writer-director Philippe Lesage discusses how he upended our expectations about sound design, framing, and editing in his first feature The Demons
Joshua Oppenheimer discusses his haunted, ‘magical realist’ doc The Look of Silence
Joshua Oppenheimer discusses his collaboration with Adi Rukun, the importance of empathy, and the magical realist landscape and soundscape of his Oscar-nominated documentary The Look of Silence.
Notes on Blindness explores the soundscape
Documentarians Peter Middleton and James Spinney use segments of John M. Hull’s actual audio tape recordings to reconstruct his experience of going blind in this experimental non-fiction film.
Gerard Barrett on addiction and loneliness in Glassland
Irish writer-director Gerard Barrett’s second film, the sensitive and heartbreaking “Glassland” — about an almost grown boy, John (Jack Reynor) and the stress he faces when he’s forced to become his parent’s (Toni Collette) parent — premiered at Sundance last year. Barrett discusses how he got interested in the film, how he works with actors, and how he designed the aesthetic for the film.
Anna Rose Holmer on her Sundance hit The Fits
Holmer discusses how working with the New York City ballet influenced her film, how she used sound and editing to tell the story, and the shooting rules she set for herself.