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Sundance 2021

A young woman sits on a boat in this still from CODA. The text on the image reads, 'Review'.

Alex Heeney / August 13, 2021

Sundance Review: CODA is a crowdpleaser with nuanced ideas about disability

Siân Heder’s crowd-pleaser, CODA, is a film that, in any other year, would have the Eccles Theatre on its feet with rapturous applause.

A still of Ana Katz in front of a still of The Dog Who Wouldn't Be Quiet. The text on the image reads 'Interview'.

Alex Heeney / February 25, 2021

The Dog Who Wouldn’t Be Quiet: Ana Katz on the best film of Sundance

Ana Katz’s The Dog Who Wouldn’t Be Quiet was our favourite film of Sundance and won awards at IFFR. We spoke with Katz about collaborating with her brother over a three year shoot.

Alex Heeney / February 16, 2021

What is the Sundance World Cinema Dramatic Competition?

The World Cinema Dramatic Competition at the 2021 Sundance Film Festival featured some genuinely exciting and original films, as well as many films that check the selection’s regular boxes.

Seventh Row Editors / February 16, 2021

Ep. 79: Sundance 2021, part 2

This week we conclude our discussion of the best and worst of Sundance 2021, including CODA, Judas and the Black Messiah, Pleasure, and The World to Come.

A collection of stills from the best films of Sundance 2021.

Seventh Row Editors / February 13, 2021

The best films of Sundance 2021

Seventh Row’s editors pick the best films of Sundance 2021, from the big winner CODA to the under-the-radar Writing with Fire.

Alex Heeney / February 12, 2021

‘The idea for the sound design was accepting silence’: Iuli Gerbase on The Pink Cloud

Brazilian filmmaker Iuli Gerbase discusses her feature debut, The Pink Cloud, about a couple unable to leave their homes for years but shot before the pandemic.

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