In the first film of Aardman Animation's character Shaun the Sheep, Shaun the Sheep: The Movie, the wit is in the details as Shaun finds his way to London and …
[Read more...] about Sundance Review: The Shaun the Sheep film is winning and witty
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In the first film of Aardman Animation's character Shaun the Sheep, Shaun the Sheep: The Movie, the wit is in the details as Shaun finds his way to London and …
[Read more...] about Sundance Review: The Shaun the Sheep film is winning and witty
Yann Demange's debut film, '71, is a tense thriller set over the course of one fateful night for a British soldier lost in IRA territory at the height of The …
[Read more...] about Review: In ’71, a British soldier is lost in IRA territory
Director Kornél Mundruczó and animal trainer Teresa Miller on White God, aesthetic approach, street dogs, and the importance of "Hungarian Rhapsody." Read …
[Read more...] about Director Kornél Mundruczó and Animal Trainer Teresa Miller talk White God
In this interview, Yann Demange discusses his first feature, '71, shooting on digital and 16 mm, working with the super talented Jack O'Connell, and more. This …
[Read more...] about Interview: ’71 Director Yann Demange talks shooting 16 mm vs digital
Perhaps the most polarizing film at this year’s Sundance Film Festival, writer-director Matt Sobel’s Take Me To The River has left some critics grossed out and …
[Read more...] about Sundance Review: Take Me to the River is creepy, unsettling, and a tad thin
I saw a handful of films from the Sundance NEXT section this year — Christmas, Again, Cronies, Take Me To The River, and H. — a program usually reserved for …
[Read more...] about Best of Sundance NEXT 2015: Poekel’s bittersweet and quiet Christmas Again