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Sundance Film Festival

Songs My Brothers Taught Me

Alex Heeney / November 15, 2015

Review: Songs My Brothers Taught Me

Chloë Zhao’s directorial debut “Songs My Brothers Taught Me” is a quiet, sensitive indigenous coming-of-age story set as high school graduation nears on the Pine Ridge Reserve.

Shaun the Sheep

Alex Heeney / August 1, 2015

Sundance Review: The Shaun the Sheep film is winning and witty

In the first film of Aardman Animation’s character Shaun the Sheep, Shaun the Sheep: The Movie, the wit is in the details as Shaun finds his way to London and shenanigans ensue.

71, Jack O'Connell

Alex Heeney / March 27, 2015

Review: In ’71, a British soldier is lost in IRA territory

Yann Demange’s debut film, ’71, is a tense thriller set over the course of one fateful night for a British soldier lost in IRA territory at the height of The Troubles. It features a fantastic central performance from Jack O’Connell. Read our interview with director Yann Demange here. Yann Demange’s tense film, ’71, is a thriller […]

White God, Kornel Mundruczo

Alex Heeney / March 27, 2015

Director Kornél Mundruczó and Animal Trainer Teresa Miller talk White God

Director Kornél Mundruczó and animal trainer Teresa Miller on White God, aesthetic approach, street dogs, and the importance of “Hungarian Rhapsody.”

Yann Demange

Alex Heeney / March 5, 2015

Interview: ’71 Director Yann Demange talks shooting 16 mm vs digital

In this interview, Yann Demange discusses his first feature, ’71, shooting on digital and 16 mm, working with the super talented Jack O’Connell, and more. This interview with Yann Demange was one of the first conducted on ’71. Read our review of the film ’71 here. After a year-long tour on the festival circuit following […]

Take Me To the River, Logan Miller, Matt Sobel

Alex Heeney / February 7, 2015

Sundance Review: Take Me to the River is creepy, unsettling, and a tad thin

Perhaps the most polarizing film at this year’s Sundance Film Festival, writer-director Matt Sobel’s Take Me To The River has left some critics grossed out and others fascinated with this evocative, probing mood piece that winds up a bit thin.

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