Jasmila Žbanic’s Quo Vadis, Aida?, a harrowing drama about the 1995 Bosnian genocide, is one of the best films of TIFF 2020. Find out why…
Toronto International Film Festival
TIFF Review: The shallow politics of Michel Franco’s New Order
Michel Franco’s latest provocation, New Order, is a grossly tone deaf bloodbath. Find out why we hated it…
TIFF Review: 76 Days provides a new lens on the pandemic
76 Days is an urgent documentary about coronavirus pandemic that humanizes the people behind the PPE.
TIFF Review: Sweat is one of the first great films about an influencer
Magnus von Horn’s Sweat avoids the cliche of portraying an Instagram influencer as shallow and instead extends empathy to her and her fans.
TIFF Review: Violation starts out well but disappoints
Violation is a cottage-country-Canada twist on the rape-revenge genre, which explores consent and the limits of revenge.
TIFF Review: Chloé Zhao’s Nomadland is romantic to a fault
Chloé Zhao’s Nomadland is her most technically accomplished, accessible, and sadly, conventional and sentimental work to date.