Québécois director Maxime Giroux tells us about The Great Darkened Days, his absurdist, poetic, and often brutal fable about the corruptive power of capitalism. This is an excerpt from our ebook The 2019 Canadian Cinema Yearbook, which is available for purchase here.
Toronto International Film Festival
Imogen Thomas on Emu Runner: ‘The film willed its way into existence.’
Director Imogen Thomas discusses her feature, Emu Runner, which explores an Aboriginal girl’s (Rhae-Kye Waites) grief — and her community’s resilience — after her mother’s death.
The Splinters ensemble discuss their moving LGBTQ film
The Splinters ensemble — Sofia Banzhaf, Callum Dunphy, and Shelley Thompson — discuss finding their characters, collaborating, and telling Marittime stories
Interview: Edge of the Knife tells a pre-colonialism story of the Haida legend of ‘The Wildman’
Co-director and Haida artist Gwaai Edenshaw discusses his landmark film Edge of the Knife (Sgaawaay K’uuna), the first feature film made in the Haida language. This is an excerpt from the ebook The Canadian Cinema Yearbook which is available for purchase here.
Interview: Anthropocene is an awe-inspiring look at environmental destruction
Co-directors Jennifer Baichwal, Edward Burtynsky, and Nicholas de Pencier discuss their third film collaboration, Anthropocene: The Human Epoch. This is an excerpt from the ebook The Canadian Cinema Yearbook which is available for purchase here.
TIFF should do more for Canadian cinema
The Canadian films at TIFF this year were especially great, but the festival should have done more to bring them to the attention of critics and audiences. This is an excerpt from the ebook The Canadian Cinema Yearbook which is available for purchase here.