Novelist and screenwriter Ian McEwan discusses the challenges and rewards of adapting his On Chesil Beach, the importance of music to his storytelling, and why he prefers to work with directors who come from the theatre. Read the rest of our On Chesil Beach Special Issue here.
Toronto International Film Festival
Dominic Cooke talks On Chesil Beach: Part 1
For our special TIFF17 coverage of On Chesil Beach, we interview Dominic Cooke about the value of rehearsing actors for film and minimizing cuts. Read part 2 of this interview here. Read the rest of our On Chesil Beach Special Issue here.
Director Warwick Thornton on his TIFF Platform Prize Winner Sweet Country
Indigenous Australian director Warwick Thornton talks being his own cinematographer on Sweet Country, shooting on Alexa and UV, and developing the film’s aesthetic.
Review: Indian Horse and the limits of allyship in adaptation
Based on Ojibwe author Richard Wagamese’s novel set in the 1960s, Stephen Campanelli’s Indian Horse uses the hook of Canada’s national sport — hockey — to grapple with Canada’s darkest policy: the Indian residential school system. Read the rest of our TIFF coverage here.
‘She can be strong, even when she is wearing a bikini’: Director Coralie Fargeat and star Matilda Lutz discuss their feminist rape-revenge film Revenge
Director Coralie Fargeat and star Matilda Lutz discuss Revenge, the stigma around genre cinema, mixing humour and violence, and the way victims are still held responsible for being attacked. This is an excerpt from our forthcoming ebook on feminist horror beyond empowertainment. To read the entire article, get your copy of the book here.
‘I’m fascinated by the industrialization of the birthing process’: Director Heather Young on Milk
Canadian writer-director-editor Heather Young discusses her short, Milk. Watch the film for free here. Young has since made a great feature debut, Murmur, which we interviewed her about here.