Violeta Salama’s warm and sensitive feature debut, Alegría, is exactly the kind of film you look for at a Jewish Film Festival: a travelogue and a story of culture, religion, and family.
Women Directors
In honour of #52filmsbywomen, we've collected all of our reviews of films directed by women and interviews with female directors all in one place.
Cannes Film Review: Manuela Martelli’s 1976 ratchets up the tension
Manuela Martelli’s feature debut, 1976, which she co-wrote with Alejandra Moffat, is equal parts character study and taut political drama. The film 1976 screened in the Director’s Fortnight sidebar at Cannes 2022.
Women at Cannes Ep. 5: Women at Cannes 2022
On the podcast, we look back at the 2022 Cannes Film Festival: both its many institutional failings and great films by women that we watched.
Cannes Review: Naomi Kawase’s Official Film of the Olympic Games Tokyo 2020 Side A
Naomi Kawase’s Official Film of the Olympic Games Tokyo 2020 Side A avoids the usual tropes and cliches of sports films, focusing instead on how the athletes are rounded people, as well as the beauty fleetingness of athletic achievement
Women at Cannes Ep. 4: Naomi Kawase at Cannes
On the podcast, we discuss the great Japanese filmmaker Naomi Kawase, the darling of Cannes, and why she’s still so under-appreciated.
Cannes: Marie Kreutzer’s film Corsage finds the Empress in an existential crisis
Marie Kreutzer’s Corsage, which premiered in the Un Certain Regard sidebar at the Cannes Film Festival, reframes the story of Empress Elisabeth of Australia (Sissi) as one of a woman trying to live up to impossible beauty standards in a patriarchal world.