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Women Directors

In honour of #52filmsbywomen, we've collected all of our reviews of films directed by women and interviews with female directors all in one place.

Brett Pardy / September 16, 2021

TIFF Review: Alanis Obomsawin’s Honour to Senator Murray Sinclair

Alanis Obomsawin’s new short film, Honour to Senator Murray Sinclair, is a powerful presentation preserved on film.

A still from The Hill Where Lionesses Roar, in which the three girls faces each other and scream into the sky. The text on the images reads, 'TIFF Review'.

Orla Smith / September 14, 2021

The Hill Where Lionesses Roar is a smart, heartfelt debut from Luàna Bajrami

Portrait of a Lady on Fire actress Luàna Bajrami makes a wonderful directorial debut with The Hill Where Lionesses Roar, a coming-of-age tale set in Kosovo.

A still from Good Madam, in which Tsidi, a Black woman in her thirties, holds out a tray of tea. The text on the image reads, 'TIFF Review'.

Orla Smith / September 14, 2021

Good Madam review: A haunted house in post-Apartheid South Africa

In Jenna Cato Bass’s horror film, a Black family’s domestic servitude to a white family is the stuff of nightmares.

A still from Mad Women's Ball, in which two women stare each other down in a dimly lit, dingy hospital room.

Orla Smith / September 12, 2021

TIFF Review: The Mad Women’s Ball is a shallow look at ‘female hysteria’

Mélanie Laurent’s The Mad Women’s Ball suffers in comparison to Alice Winocour’s Augustine (2011), which tackles the same story with more psychological complexity.

Alex Heeney / September 12, 2021

‘The more we went inside Lise’s perspective, the better it got’: Tea Lindeburg on As in Heaven

Director Tea Lindeburg discusses her remarkable film As in Heaven about a day in the life of a teenage girl about to lose everything in 1880s Denmark.

A still from Aloners, in which a young woman sits at a table, her head downturned, her face passive. The text on the image reads 'TIFF Review'.

Orla Smith / September 10, 2021

TIFF Review: Aloners is a melancholy ode to society’s loners

South Korean filmmaker Hong Seong-eun’s Aloners is a low-key film about loneliness and how capitalism takes advantage of depressed people.

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