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Women Directors

In honour of #52filmsbywomen, we've collected all of our reviews of films directed by women and interviews with female directors all in one place.

13th, Ava DuVernay

Alex Heeney / October 20, 2016

Ava DuVernay’s 13th is an innovative spin on the talking head doc

Employing key but subtle twists on the convention talking head documentary, Ava DuVernay’s 13th explains how slavery in the U.S. was never really abolished without ever resorting to preaching.

Girl Asleep, Rosemary Myers

Gillie Collins / October 10, 2016

From stage to screen: Director Rosemary Myers on her new film Girl Asleep

Gillie Collins talked to director Rosemary Myers about adapting her Windmill theatre play Girl Asleep for the film. Collins also explores the many exaggerated, theatrical elements that define the film.

Ashley McKenzie, Werewolf

Alex Heeney / October 5, 2016

Writer-director Ashley McKenzie talks Werewolf

Cape Breton writer-director Ashley McKenzie discusses her feature debut, Werewolf, “lawnmower crackheads”, working with non-actors, and being part of the TIFF family.

Fien Troch, Home, AFI Fest 2016, Must-See AFI

Alex Heeney / October 5, 2016

Best of TIFF16: Fien Troch’s Home

In Home, teachers and authority figures don’t skip a beat before upbraiding the teenagers in their charge, but writer-director Fien Troch asks us to empathize first and judge second.

rehearsal film, alison maclean

Alex Heeney / October 1, 2016

Writer-director Alison Maclean raises the curtain on The Rehearsal

Alison Maclean discusses the making of her film The Rehearsal, from adapting Eleanor Catton’s novel, to finding her cast, to rehearsing the film.

Beauties of the Night, Maria Jose Cuevas, Olga Breeskin

Laura Anne Harris / October 1, 2016

TIFF16 Interview: Maria Jose Cuevas and Olga Breeskin talk Beauties of the Night

Maria Jose Cuevas’ Beauties of the Night catches up with the most famous Mexican showgirls of the 1960s–1980s today in this collaborative documentary. At TIFF, Laura Anne Harris talked to Cuevas and her most famous subject, Olga Breeskin, about making the film and Breeskin’s fascinating life story.

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