Below Her Mouth attempts provocation and frank depictions of lesbian sex, but it forgets the emotion in its love story.
Women Directors
In honour of #52filmsbywomen, we've collected all of our reviews of films directed by women and interviews with female directors all in one place.
Poetry and identity in NFB animated feature Window Horses
In Window Horses, writer-director Ann Marie Fleming gets very specific about the alienation her poet Rosie has experienced as a Chinese-Iranian Canadian, and in turn, finds something more universal about displacement and the diaspora.
Haya Waseem discusses her TIFF short Shahzad set in Toronto
Pakistan-born, Toronto-based filmmaker Haya Waseem discusses her TIFF short film Shahzad, Seventh Row’s pick for the best Canadian short at the festival.
TIFF16: Miss Impossible is a crowd-pleasing coming-of-ager
Miss Impossible (Jamais Contente) is like if We Are The Best! were just about the spunky, outspoken Klara and she joined a band in which she was the only girl.
Writer-Director Jenni Olson on her film essay, The Royal Road
Jenni Olson on her 16mm film essay, The Royal Road, a story of unrequited love told through the linear progression of California’s El Camino road.
TIFF16: Blind Sun is a visually and aurally accomplished thriller
Psychological thriller Blind Sun from Joyce Nashawati transports us to a water-scarce dystopian future almost entirely through its color scheme, sound scape, and central performance.