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World Cinema

Alex Heeney / November 9, 2022

En roue libre (Freestyle) Film Review

Alex Heeney reviews the film, En roue libre (Freestyle), an absurd French buddy comedy about a woman who can’t leave her car and the young man who hijacks it. En roue libre (Freestyle) is the first feature from writer-director Didier Barcelo.

Seventh Row Editors / November 7, 2022

Bonus 31: My Small Land

On this episode of the podcast, we discuss Emma Kawawada’s first feature film, My Small Land,about a teenage Kurdish immigrant in Tokyo. It’s now in Canadian cinemas.

Alex Heeney / October 20, 2022

Festival du nouveau cinema is a haven for cinephiles

The 2022 Festival du Nouveau Cinéma put on a spotlight on eclectic and avant grade films still seeking international distribution, like Coma, The Maiden, and Continental Drift (South).

Alex Heeney / October 20, 2022

The 17 best films of TIFF 2022

Alex Heeney reflects back on the 17 best films at the 2022 Toronto International Film Festival (TIFF 2022), including two short films.

Alex Heeney / September 15, 2022

Unruly Film Review: women battle patriarchy and eugenics in 1930s Denmark

Alex Heeney reviews Malou Reymann’s feature film debut, Unruly, which had its world premiere at TIFF 22. Set in 1930s Denmark, mostly on Sprøgo island, which housed an institution for “troubled” and “immoral women,” Unruly never uses the term “eugenics,” but that’s very much its subject

Alex Heeney / September 15, 2022

War Sailor Film Review: A character drama reveals an untold part of WWII history

Alex Heeney reviews writer-director Gunnar Vikane’s film War Sailor, which is the best kind of war movie: a character drama that happens amidst war, focusing most on how the characters are changed by the atrocities over the years.

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