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World Cinema

A collage of stills from IFFR films.

Seventh Row Editors / February 16, 2021

The best films of IFFR 2021

We gathered four of our writers to each choose one IFFR 2021 film that stuck with them, and explain why it was a highlight.

Alex Heeney / February 12, 2021

‘The idea for the sound design was accepting silence’: Iuli Gerbase on The Pink Cloud

Brazilian filmmaker Iuli Gerbase discusses her feature debut, The Pink Cloud, about a couple unable to leave their homes for years but shot before the pandemic.

Alex Heeney / February 4, 2021

Luzzu director Alex Camilleri on why ‘Malta needed to play itself’

Writer-director Alex Camilleri discusses his feature film debut Luzzu which premiered at Sundance, telling authentic Maltese stories, and turning fishermen into actors.

A still from Acasă, My Home.

Lindsay Pugh / January 30, 2021

Acasă, My Home raises tough questions and avoids trite answers

Radu Ciorniciuc’s documentary Acasă, My Home follows the Enache family, whose patriarch has decided to live outside conventional society.

Seventh Row Editors / January 26, 2021

Ep. 76: Abderrahmane Sissako’s Bamako and Timbuktu

On this episode we look at two of Malian director Abderrahmane Sissako’s films, the newly restored Bamako, and one of our favourite films of the 2010s, Timbuktu. We also discuss locating African cinema and challenges in distribution and preservation.

A headshot of Ekwa Msangi in front of a still from her film, Farewell Amor.

Orla Smith / December 18, 2020

In Farewell Amor, Ekwa Msangi uses Angolan dance to explore family bonds

Ekwa Msangi discusses her debut feature, Farewell Amor, a triptych about an family of Angolan immigrants who reunite in New York City.

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