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World Cinema

Alex Heeney / April 12, 2021

‘A film about nothings that overwhelm you’: Kateryna Gornostai on Stop-Zemlia

Kateryna Gornostai discusses making an ensemble coming-of-age film where everything for the characters is happening for the first time.

Alex Heeney / April 6, 2021

Amanda Adolfsson on her family horror film Nelly Rapp: Monster Agent

Swedish director Amanda Adolfsson discusses Nelly Rapp: Monster Agent, working with child actors, and balancing horror and comedy.

Alex Heeney / March 8, 2021

Berlinale Review: A girl wakes up to misogyny inSummer Blur

Han Shuai’s feature debut, Summer Blur, follows thirteeen-year-old Guo in a hot summer in Wuhan where everyone seems to be exploiting women.

Alex Heeney / March 7, 2021

What to see at the 2021 Rendez-vous with French Cinema

The 2021 Rendez-vous with French Cinema features some of the best films of the year, as well as highlights like Should the Wind Drop, Mandibles, and Faithful.

Four teenage girls wearing white t-shirts sit down at a restaurant table, eating, in Short Vacation.

Orla Smith / March 6, 2021

Berlinale Review: Teen girls seek the end of the world in Short Vacation

In Kwon Min-pyo and Seo Hansol’s Short Vacation, four thirteen-year-old girls set out to complete their summer photography assignment: photograph the end of the world.

Alex Heeney / March 4, 2021

Berlinale Review: I’m Your Man — Are mirrors the perfect lovers?

In Maria Schrader’s I Am Your Man, a cuneiform researcher is torn between her ethics and the appeal of a robot lover who meets all her needs.

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