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Home / Essays / Film Reviews / Fantasy and identity collide in Zoom

Mary Angela Rowe / August 11, 2016

Fantasy and identity collide in Zoom

Zoom
Courtesy of TIFF.

You haven’t seen everything until you’ve seen a tiny lady stuffing dime bags into a RealDoll. This is Zoom, Canadian screenwriter Matt Hansen’s absurdist narrative ouroboros. Three protagonists write three fictional stories that, unbeknownst to them, are interdependent: they are writing each others’ lives.

Courtesy of TIFF
Courtesy of TIFF

A-cup Emma (Alison Pill, delightful in the role) longs for the voluptuous body of the sex dolls she helps design, so she draws a comic about the dream man such a woman might date: handsome Hollywood director Edward (Gael Garcia Bernal). Edward, shot in comic-book rotoscope, is an action director turned would-be auteur making an arty film about budding writer Michelle (Maria Ximenes). Michelle leaves her modelling career (and her jerk boyfriend) to write a novel so she’ll be more than just a beauty. That novel is the story of Emma.

Director Pedro Morelli uses colour filters and lighting to spotlight emotional parallels between characters. Each story begins with a particular aesthetic. Mid-film, one of Michelle’s scenes is filmed with Emma’s characteristic green filter to highlight an anxiety they share: the uncomfortable overlap between physical beauty and perceived value. Zoom doesn’t stick the landing, but the film as a whole is worth more than its limp ending. Well-acted, well-written, and engaging throughout, Zoom is entertaining and thought-provoking. That’s more than enough.

This review was originally published on Sept. 12 2015 as part of our TIFF 2015 coverage. It has been republished for its Canadian theatrical release.

 

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Filed Under: Canadian cinema, Essays, Film Festivals, Film Reviews Tagged With: Animation, Canadian cinema, Toronto International Film Festival

Mary Angela Rowe

Mary Angela Rowe is Editor-at-Large at The Seventh Row. Mary Angela is a lapsed Victorianist currently living in Toronto after stints in Boston and Montreal. Her background in history and literature informs her love of movies like Notorious and Martin — though she’s equally happy watching Heathers or Goon. Her favourite film is Doctor Strangelove.

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