Olivier Assayas discusses the visual and aural aesthetic of Personal Shopper and how he shot that impressive texting set piece. How do you describe a film that exists in a universe where ghosts and people who can speak to them are real, but it’s only casually a horror film? When Personal Shopper, Olivier Assayas’ second […]
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Alex is the Editor-in-Chief of The Seventh Row, based in San Francisco and from Toronto, Canada.