Alex Heeney reviews Crocodile Tears, a genre-inflected first feature film about a toxic mother-son relationship, from Indonesian filmmaker Tumpal Tampubolon. The film is one of the best sales titles at TIFF 2024.
Read all of our TIFF 2024 coverage.
Never miss a great film again. Get exclusive content and hidden-gem recommendations you won’t find on the website.
Click here to sign up for the Seventh Row Newsletter.
An impressive debut film from Indonesian filmmaker Tumpal Tampubolon, Crocodile Tears is a horror-inflected story of a too-close relationship between a mother (Marissa Anita, who also appeared in Yuni) and her adult son, Johan (Yusuf Mahardika), who is trying to break free from her clutches. They own and work on a crocodile farm, which isolates them from the world and forces them to interact with deadly predators daily. Indonesia has the most crocodile attacks in the world, so although these are technically in captivity, the threat remains. When Johan meets and falls for a woman, it endangers the bond between mother and son.
In Crocodile Tears, Tampubolon shows an uncommon gift for blocking and mise en scène, sensitive to the space between characters and within the frame. Consider that Johan shares a bed with his mother, where she will embrace him like a lover at night while he carefully removes her arm. Or the first meeting between Johan’s mother and paramour, where Johan and his mother stand close to one another on one side of the frame, and his paramour is placed effectively between them, but also off to the side – not quite part of their world but about to throw a wrench in it. I feel like a bit too much of an ignorant North American to claim to understand the cultural context for Crocodile Tears fully, but that didn’t hamper my enjoyment; it only increased my curiosity.
More films from Indonesia like Tumpal Tampubolon’s Crocodile Tears
Read our interview with filmmaker Kamila Andini about her film The Seen and The Unseen.
Andini also directed Yuni, a TIFF 2021 selection, which we also reviewed. Read the review of Yuni. Crocodile Tears star Marissa Anita also appears in Yuni.
Set in Indonesia but directed by an American (Joshua Oppenheimer, whose fiction feature The End is at TIFF this year), The Look of Silence is a documentary that follows an Indonesian man confronting perpetrators of genocide that led to his brother’s death.
