• Skip to primary navigation
  • Skip to main content
  • Skip to footer

Seventh Row

A place to think deeply about movies

  • Archives
    • Browse Articles
    • Review Index
    • Interview Index
  • Podcast
    • Seventh Row Podcast
    • Abortion on Film
    • Creative Nonfiction Podcast
    • Women at Cannes
    • Sundance 2023
    • The Joachim Trier Audio Commentaries
    • 21st Folio
    • Seventh Row on other podcasts
  • Ebooks
    • Mike Leigh
    • Call Me by Your Name
    • Céline Sciamma
    • Kelly Reichardt
    • Joanna Hogg
    • Andrew Haigh
    • Lynne Ramsay
    • Joachim Trier
    • Subjectives realities (Nonfiction film)
    • Documentary Masters
    • Fiction Directors
  • The Long Take

Alex Heeney / December 12, 2025

Ep. 185 Chloé Zhao’s Hamnet with Angelo Muredda

On the podcast, host Alex Heeney and guest Angelo Muredda dig into Chloé Zhao’s Hamnet as a work of adaptation of Maggie O’Farrell’s novel and why the film left use dry-eyed.

Jessie Buckley (left) and Paul Mescal (right) star in Chloe Zhao's Hamnet, which we discuss on the podcast. A white man and white woman in period dress stand in a forest, looking intensely at each other.
Jessie Buckley (left) and Paul Mescal (right) star in Chloe Zhao’s Hamnet, which we discuss on the podcast.

Discover one film you didn’t know you needed:

Not in the zeitgeist. Not pushed by streamers.
But still easy to find — and worth sitting with.
And a guide to help you do just that.

→ Send me the guide

Listen on Apple Podcasts listen on spotify

Chloe Zhao’s Hamnet was the talk of the Toronto International Film Festival, where it won the People’s Choice Award, often a strong predictor of Oscar potential. 

But while many found themselves weeping for large chunks of the film, Alex Heeney (Editor-in-Chief of Seventh Row) left it dry-eyed.

And so did her guest on today’s podcast, Angelo Muredda. 

(And we’re easy criers. So we tried to figure out why this film didn’t work for us.)

Based on Maggie O’Farrell’s novel — which imagines a part of Shakespeare’s life we know little about, including the courtship with his wife, the death of their son Hamnet, and the possibly autobiographical links to Hamlet — the film tries to map Shakespeare’s biography onto Hamlet in ways that felt…unsatisfying.

Today on the podcast, we dig into what works in the film (a short list) and what doesn’t (a longer one), and whether having read a synopsis of Hamlet on Wikipedia might actually impede your enjoyment of the film.

On this episode on Chloe Zhao’s Hamnet:

  • How knowing your Hamlet or Shakespeare means the film offers less, not more
  • How the book reclaims women’s stories that are usually kept off-stage in Shakespeare’s plays — and how the film undoes that by putting Shakespeare himself in most scenes instead of keeping him off-stage
  • Why it’s odd to insist Hamlet is “about his dead son” — when Shakespeare famously never writes plays about just one thing
  • How the film restructures the novel to deprioritize Hamnet’s story
  • Whether Shakespeare should look a little tired or grubby after that two-day horseback commute from London to Stratford
  • Whether it’s possible to have sex on a table full of eggs and not crack any

👉 Stay updated on Alex’s next group experiences

Related Episodes

169. David Cronenberg’s The Shrouds with Angelo Muredda

132. Sarah Polley’s Women Talking with Angelo Muredda

159. Macbeth with David Tennant

Podcast Credits

Alex Heeney edited, produced, and recorded the episode.

Follow Seventh Row on Twitter, Bluesky and Instagram. Read our articles at seventh-row.com.

Follow Alex Heeney on Bluesky, Twitter and Instagram. 

An AI-generated transcript for the episode is available on Apple Podcasts.

Discover one film you didn’t know you needed:

Not in the zeitgeist. Not pushed by streamers.
But still easy to find — and worth sitting with.
And a guide to help you do just that.

→ Send me the guide

Filed Under: Adaptations, Podcasts Tagged With: Alex Heeney podcast, Angelo Muredda podcast, Shakespare Podcast, Toronto International Film Festival, Women Directors

About Alex Heeney

Alex is the Editor-in-Chief of The Seventh Row, based in San Francisco and from Toronto, Canada.

« Older Post
Ep. 184 What happens when you apply ‘Yes, And’ to film discussions

Footer

Support Seventh Row

  • Film Adventurer Membership
  • Cinephile Membership
  • Ebooks
  • Donate
  • Merchandise
  • Institutional Subscriptions
  • Workshops & Masterclasses
  • Shop

Connect with Us

  • Podcast
  • Twitter
  • Instagram
  • YouTube

Browse

  • Interview Index by Job Title
  • Interview Index by Last Name
  • Seventh Row Podcast
  • Directors We Love
  • Films We Love

Join our newsletter

  • Join our free newsletter
  • Get the premium newsletter (become a member)

Featured Ebooks on Directors

  • Joachim Trier
  • Joanna Hogg
  • Céline Sciamma
  • Kelly Reichardt
  • Lynne Ramsay
  • Mike Leigh
  • Andrew Haigh

© 2025 · Seventh Row

  • About
  • Privacy Policy
  • Frequently Asked Questions
  • Contribute
  • Contact
  • My Account