With her new film Paris Memories (Revoir Paris), Alice Winocour continues her exploration of traumatised bodies and PTSD that has defined all of her films to date.
Whistler Reviews: Jason James’ Exile and Bruce Miller’s Conviction
Jason James’s feature Exile and Bruce Miller’s short Conviction both tell stories of a previously incarcerated Indigenous man struggling to set himself free.
Review: Other People’s Children is Rebecca Zlotowski’s best film
Alex Heeney reviews Rebecca Zlotowski’s new film Other People’s Children, about a woman approaching forty, trying to figure out how to be a parent when she may no longer be able to be a biological one.
Dr. Jules Koostachin’s Broken Angel, MisTik, and more at ImagineNative 2022
The 2022 ImagineNative Film Festival was a showcase for new talents: Dr. Jules Koostachin’s Broken Angel and MisTik, and Gail Maurice’s ROSIE.
Quick Thoughts Film Review: Joanna Hogg’s The Eternal Daughter
Joanna Hogg’s film The Eternal Daughter is an unexpected sequel to her Souvenir duology: a ghost story exploring the creative process and a mother-daughter relationship.
En roue libre (Freestyle) Film Review
Alex Heeney reviews the film, En roue libre (Freestyle), an absurd French buddy comedy about a woman who can’t leave her car and the young man who hijacks it. En roue libre (Freestyle) is the first feature from writer-director Didier Barcelo.