Editor Jane Rizzo discusses cutting Leave No Trace, developing the father-daughter relationship, building the soundscapes for different locations, and restructuring the story in the edit. This is the sixth article in our Special Issue on Debra Granik’s Leave No Trace , which is now available as an ebook.
Ben Foster on silence and trauma in Leave No Trace
In this interview, Ben Foster discusses how he prepared for his role as Will in Leave No Trace. This is an excerpt from the ebook Leave No Trace: A Special Issue. Get your copy here.
Dominic Cooke: ‘Every step toward the bed is so charged’
On Chesil Beach director Dominic Cooke discusses using his experience as a theatre director while still relishing the tools that are unique to cinema. Read part 1 of the interview here. Read the rest of our On Chesil Beach Special Issue here.
The Tale: Comfortable stories mask uncomfortable truths
In The Tale, the semi-autobiographical narrative debut from Jennifer Fox, the character Jennifer’s process of sifting through and revisiting past memories is one of writing and rewriting, and that’s baked into the film’s grammar.
Billy Howle on finding Edward’s voice for On Chesil Beach
In this interview, Breakout star Billy Howle discusses how he prepared to embody his On Chesil Beach character, Edward, throughout the years — creating his voice, movement, and character. Read the rest of our On Chesil Beach Special Issue here. Our interview with Billy Howle is one of many interviews featured in the Special Issue.
Ian McEwan on adapting his books for the screen and On Chesil Beach
Novelist and screenwriter Ian McEwan discusses the challenges and rewards of adapting his On Chesil Beach, the importance of music to his storytelling, and why he prefers to work with directors who come from the theatre. Read the rest of our On Chesil Beach Special Issue here.