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Alex Heeney

Le Week-End, Lindsay Duncan

Alex Heeney / March 27, 2014

Review: Le Week-End is a late middle-age Before Midnight

Imagine picking up with Jesse and Celine of Before Midnight in their sixties, and you’ll get an idea of what’s in store in Le Week-End, Roger Michell’s intelligent new film about a middle-aged British couple spending a weekend in Paris. They are Meg (Lindsay Duncan), a teacher who is still gorgeous and vivacious at sixty-three, […]

Enemy, Denis Villeneuve

Alex Heeney / March 21, 2014

Review: In Enemy, dangerous doppelgängers meet in Toronto

The Toronto in Denis Villeneuve’s Enemy is always covered in a thick, oppressive layer of smog, making the otherwise beautiful city feel eerie and uninviting. Aerial shots reveal a city under constant construction; the numerous tall buildings create a lonely place where you can easily get lost or go unnoticed. Despite the gorgeous shots of the […]

Veronica Mars movie, Jason Dehiring

Alex Heeney / March 14, 2014

Review: In the Veronica Mars movie, the gumshoe is back and in fine form

Sparks fly between Jason Dohring and Kristen Bell on the big screen in the Veronica Mars movie.

Sebastian Silva, Magic Magic

Alex Heeney / February 28, 2014

Director Sebastián Silva on his psychological thriller Magic Magic

For the last two weeks, Chilean writer-director Sebastián Silva has been in San Francisco as the Winter 2014 Artist in Residence with the San Francisco Film Society, talking about his craft with high school and college students, as well as other filmmakers. He also gave a Q&A at a special screening of his most recent […]

How to Grow a Band

Alex Heeney / February 19, 2014

Review: Mandolinist Chris Thile and The Punch Brothers reinvent bluegrass in How to Grow a Band

Is it possible to have a successful band when its members may not be musical equals, even if they are all very talented virtuosos? It was a central question in Cameron Crowe’s film Almost Famous about the often bickering, fictional band Stillwater, which had a guitarist who had musically surpassed his peers. Since it was also […]

Alex Heeney / February 14, 2014

‘Tim’s Vermeer’: Did Vermeer use lenses and mirrors?

In a time when painters were rigourously trained, how did the untrained Johannes Vermeer (1632-1675) create such luminous, lasting masterpieces? According to inventor-techie Tim Jenison, he may have been equally adept at tinkering and made use of optical devices to help create a realistic look. Jenison sets out to prove this theory in Teller’s new […]

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