At TIFF18, almost all of the best films I saw were Canadian — and that’s not grading on a curve. This is an excerpt from the ebook The Canadian Cinema Yearbook which is available for purchase here.
Interview: Richard Eyre on the real-life stages on screen in The Children Act
Stage and screen directing legend Richard Eyre discusses the real-life stage that is the courtroom in The Children Act and directing for stage vs. screen. Read our review of the film here.
Interview: Falls Around Her centres a complex, middle-aged, Indigenous woman
Writer-director Darlene Naponse on Falls Around Her, making a film about an unconventional protagonist, capturing the beauty of a landscape through both visuals and sound, and the respect and care required to film on reservation land. This is an excerpt from the ebook The Canadian Cinema Yearbook which is available for purchase here.
Interview: Carmel Winters on her TIFF Discovery film Float Like a Butterfly
Irish writer-director Carmel Winters discusses her second feature, Float Like a Butterfly, a female coming-of-age story set in the 1970s amongst the Irish Travellers community.
Stratford’s An Ideal Husband is timeless in the worst sense of the word
This solid, entertaining, and funny production of Oscar Wilde’s An Ideal Husband at Ontario’s Stratford Festival is nevertheless inert, old-fashioned, and often tone deaf.
Editor Jane Rizzo: ‘There’s very little story, so it is about building the moments’
Editor Jane Rizzo discusses cutting Leave No Trace, developing the father-daughter relationship, building the soundscapes for different locations, and restructuring the story in the edit. This is the sixth article in our Special Issue on Debra Granik’s Leave No Trace , which is now available as an ebook.