Co-director and Haida artist Gwaai Edenshaw discusses his landmark film Edge of the Knife (Swaaway K'uuna), the first feature film made in the Haida language. …
Brett Pardy
Interview: Stupid Young Heart is a nuanced look at white supremacy
Finnish Director Selma Vilhunen and screenwriter Krisikka Saari discuss their new film Stupid Young Heart, which premiered at the Toronto International Film …
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Debra Granik frames poverty as a systemic failure to empathize
Debra Granik's films — Down to the Bone, Stray Dog, and Leave No Trace — focus on individuals who struggle to navigate an unfriendly social support system in an …
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Review: First Stripes depicts masculinity in training
First Stripes reveals how training designed to equalize recruits ends up reproducing a conservative set of norms. …
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Review: Indian Horse and the limits of allyship in adaptation
Based on Ojibwe author Richard Wagamese’s novel set in the 1960s, Stephen Campanelli's Indian Horse uses the hook of Canada’s national sport — hockey — to …
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The Wound explores masculinity and colonialism
John Trengove’s debut feature explores how colonization subtly re-defined an ancient Xhosa rite of passage into manhood. …
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