Shakespeare’s Henry IV Parts 1 and 2 chronicle the growth of feckless frat boy Hal into sober ruler-in-waiting Harry. Henry V should be the culmination of that transformation: the growth of a young King into a leader. Yet the Royal Shakespeare Company’s production of Henry V feels more like Henry IV Part 3. Though this entertaining production is well-acted and effectively staged, Henry himself still acts like a prince and not a king. This may be Director Gregory Doran’s aim: showcase Harry’s (Alex Hassell) ongoing maturation by starting him off as green and unimposing. But Shakespeare’s original text establishes Henry as a man who wields authority: he is a “dread sovereign,” “terrible in constant resolution.”
Photograph 51: In praise of difficult women
“Photograph 51” suggests that sexism kept Franklin conservative, reluctant to be right because as a woman, she could never, ever be wrong. Ziegler’s text depicts a woman who had all the evidence but didn’t put the pieces together because she was afraid to prematurely commit herself.
Crimson Peak is a loving homage to the Gothic
“Crimson Peak” is a sensory feast rather than a character drama. In this, the film takes its cue from the mechanics of gothic literature, which is less about plot and more about atmosphere. Gothic imagery is always over the top, with themes literalized and cranked up to eleven. The film’s luxuriant costumes exemplify this extravagance. The innocent Edith has golden hair and wears billowing virginal white, whereas Lucille’s red satin gown calls to mind a freezing Elizabeth Bathory, ready to prey upon her sister-in-law. Our eyes linger on their rich textures and theatrical shapes.
TIFF15: The Whispering Star is new, uneven ground for cult director Sion Sono
The Whispering Star marks an intriguing departure from filmmaker Sion Sono’s usual themes of hopelessness and hysteria. Languid, dramatically minimalist, and shot in crisp black and white, the film lacks Sono’s characteristic frenzied emotional pitch. Though its scanty narrative and creeping pace hindered my engagement with the film, The Whispering Star is a well-crafted addition to Sono’s […]
TIFF15: Unearthing the dead past in Demon
There’s a troubling absence in Marcin Wrona’s Demon: there are very few Jews in this adaptation of a Jewish story. Protagonist Piotr (Itay Tiran) is a gentile, his intended bride (Agnieszka Zulewska) is a gentile, and all the people in their nameless Polish town are gentiles, too. There are only two Jews in the entire […]
TIFF15: Young love and dying tradition in Song of Songs
Eva Neymann imbues ordinary moments and domestic tasks with a magical quality. Yet this sense of wonder is as fragile as shtetl life itself. Read our coverage of the Toronto International Film Festival.