Matthew Pope's Blood on Her Name is a steely, psychological thriller about cycles of violence. Now available in cinemas and on VOD in the US.Matthew Pope’s …
[Read more...] about Review: Blood on Her Name thrillingly grapples with cycles of violence
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Orla Smith is the former Executive Editor of Seventh Row, a regular contributor at The Film Stage, and a freelance writer with bylines at JumpCut Online, Cinema Year Zero, and Girls on Tops. In her free time she makes movies.
Matthew Pope's Blood on Her Name is a steely, psychological thriller about cycles of violence. Now available in cinemas and on VOD in the US.Matthew Pope’s …
[Read more...] about Review: Blood on Her Name thrillingly grapples with cycles of violence
Orla Smith discusses why Lupita Nyong'o's performance in Us is one of her favourites by an actress in a horror film. Explore our coverage of Women in Horror …
[Read more...] about Lupita Nyong’o in Us (Great horror performances #3)
Lesley Manville delves into the challenges of portraying a cancer patient's physical development, and discusses her work with Mike Leigh.It’s easy to take a …
[Read more...] about Interview: Lesley Manville on Ordinary Love
Catherine Gund's Aggie is both a celebration of an extraordinary woman, and a call to arms for the viewer to think about how they too can enact change. Read the …
[Read more...] about Sundance ’20 review: Aggie is a documentary about allyship
Gothic horror Amulet is a promising directorial debut from actress Romola Garai, but the screenplay is too ambitious for its own good. Read the rest of our …
[Read more...] about Sundance ’20 review: Romola Garai’s Amulet
Rather than positioning Les Misérables and Just Mercy as retellings, Ladj Ly and Destin Daniel Cretton engage with modern France’s and America's relationships …
[Read more...] about Les Misérables and Just Mercy use classic texts to explore systemic racism