Addelman discusses fictionalising her first marriage into her feature debut, which took years of rewrites, great casting, and generous collaboration. …
[Read more...] about Establishing Shots: Rebecca Addelman on her marriage drama, Paper Year
Orla Smith
Brett Haley: ‘Music and creativity bring people together’
Director Brett Haley discusses Hearts Beat Loud and the joy of nice movies about kind people. …
[Read more...] about Brett Haley: ‘Music and creativity bring people together’
Interview: On Chesil Beach‘s sets destabilize its characters
On Chesil Beach production designer Suzie Davies discusses researching period, creating environments that contrast with the film's characters, and how different …
[Read more...] about Interview: On Chesil Beach‘s sets destabilize its characters
Haigh and Reichardt are modernizing the western
Andrew Haigh's Lean on Pete shares DNA with the films of Kelly Reichardt: both filmmakers deromanticize tired western tropes. This is the fifth feature in our …
[Read more...] about Haigh and Reichardt are modernizing the western
Sean Bobbitt: ‘You have that big screen. You must use it.’
On Chesil Beach DP Sean Bobbitt discusses collaboration, composition, and his strong opinions on the anonymity of coverage. Read the rest of our On Chesil Beach …
[Read more...] about Sean Bobbitt: ‘You have that big screen. You must use it.’
Nick Fenton on film editing: ‘You are that first audience’
On Chesil Beach’s editor discusses his role and how, no matter the style or genre, everything he does stems from the actors. Read the rest of our On Chesil …
[Read more...] about Nick Fenton on film editing: ‘You are that first audience’
Interview: On Chesil Beach avoids cliched period costumes
Costume designer Keith Madden discusses working with the script and the actors, his collaboration with production designer Suzie Davis, and how the clothing of …
[Read more...] about Interview: On Chesil Beach avoids cliched period costumes
Interview: Colour reveals character in LOP‘s set design
Lean on Pete production designer Ryan Warren Smith discusses how he created rich, detailed environments that subtly reveal character. This is the third feature …
[Read more...] about Interview: Colour reveals character in LOP‘s set design
Behind the Lens: Lean on Pete DP Magnus Jønck
DP Magnus Jønck approached Lean on Pete as a modern western, keeping the focus solely on character and de-romanticising the landscape. This is the second …
[Read more...] about Behind the Lens: Lean on Pete DP Magnus Jønck
A hitman more helpless than heroic
You Were Never Really Here traps us inside hitman Joe’s mind — but he’s an unreliable narrator who is far more helpless than he realises. This is the sixth …