We hate clickbait, love long-form essays, & only cover films that make us think.
Increment by increment, McKenzie tracks Tom's journey from girl to young woman. This is the seventh piece in our Special Issue on Debra Granik's Leave No Trace. …
[Read more...] about Thomasin McKenzie tracks every step toward independence in Leave No Trace
Director Paddy Breathnach on building the characters and family dynamic in a film that makes the political personal, and crafting an immediate, engaging visual …
[Read more...] about Interview: One woman’s experience of the Dublin housing crisis in Rosie
Asante details the long road to making her passion project, Where Hands Touch, and explains the importance of nuance in her controversial love story. …
[Read more...] about Amma Asante: ‘These black children were walking a strange tightrope’
Placing The Miseducation of Cameron Post and Madeline's Madeline side by side, it seems like DP Ashley Connor can do anything. Read more interviews with …
[Read more...] about Behind the Lens: The Miseducation of Cameron Post DP Ashley Connor
Addelman discusses fictionalising her first marriage into her feature debut, which took years of rewrites, great casting, and generous collaboration. …
[Read more...] about Establishing Shots: Rebecca Addelman on her marriage drama, Paper Year
Director Brett Haley discusses Hearts Beat Loud and the joy of nice movies about kind people. …
[Read more...] about Brett Haley: ‘Music and creativity bring people together’
On Chesil Beach production designer Suzie Davies discusses researching period, creating environments that contrast with the film's characters, and how different …
[Read more...] about Interview: On Chesil Beach‘s sets destabilize its characters
Andrew Haigh's Lean on Pete shares DNA with the films of Kelly Reichardt: both filmmakers deromanticize tired western tropes. This is the fifth feature in our …
[Read more...] about Haigh and Reichardt are modernizing the western
On Chesil Beach DP Sean Bobbitt discusses collaboration, composition, and his strong opinions on the anonymity of coverage. Read the rest of our On Chesil Beach …
[Read more...] about Sean Bobbitt: ‘You have that big screen. You must use it.’
On Chesil Beach’s editor discusses his role and how, no matter the style or genre, everything he does stems from the actors. Read the rest of our On Chesil …
[Read more...] about Nick Fenton on film editing: ‘You are that first audience’
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