Mylissa Fitzsimmons tells us how she made her beautiful, apocalyptic debut feature, Everything in the End, in Iceland with four crew members and only $30,000.
Cinematographer Stéphanie Anne Weber Biron’s colourful visual worlds
Stéphanie Anne Weber Biron was recently nominated for a Canadian Screen Award for Nadia, Butterfly. We speak to her about shooting that film and Andrea Dorfman’s Spinster.
Michael O’Connor on the joy of crafting true-to-life costumes in Ammonite
Oscar-winning costume designer Michael O’Connor discusses the gorgeous period costumes in Ammonite, which illuminate character and class just as much as the film’s dialogue.
How Jasna Đuričić crafted her ferocious performance in Quo Vadis, Aida?
Jasna Đuričić discusses the elaborate rehearsal process that got her into character for Quo Vadis, Aida?.
Found footage gets a showcase at the Unnamed Footage Film Festival
This year’s Unnamed Footage Film Festival was a 24-hour livestream that illuminated the best and worst traits of the found footage genre.
Highlights from BFI Flare 2021, from No Ordinary Man to Boy Meets Boy
Orla Smith runs down the best films of BFI Flare 2021 and the themes that they kept coming back to.