Writer-director Francis Lee, who won the Sundance World Dramatic Grand Jury Prize for Directing, discusses his feature debut, God’s Own Country, a touching story of first love, with its two stars, Josh O’Connor and Alec Secareanu.
Book Previews
Review: God’s Own Country is a swoon-worthy romance
Francis Lee’s feature debut, God’s Own Country, is a moving coming-of-age story and a swoon-worthy romance about small gestures that signal major changes. This review of God’s Own Country is an excerpt from our ebook God’s Own Country: A Special Issue, which is available for purchase here.
‘It was exciting to see the possibilities that should be there for all’: Alanis Obomsawin on Our People Will Be Healed
Documentarian Alanis Obomsawin discusses depicting community, gaining the trust of her subjects, and centering their voices in her 50th film on contemporary indigenous issues in Canada.
‘Cutting at right angles’: Frederick Wiseman on Ex Libris: New York Public Library
Frederick Wiseman on the making of his exquisite Ex Libris: New York Public Library, which is about the role of the library in society.
The Little Girl Who Was Too Fond of Matches reinvents Quebec horror
Simon Lavoie’s gorgeous adaptation of the popular Québécois novel, The Little Girl Who Was Too Fond of Matches critiques, subverts, and reinvents the Quebec horror film.
TIFF17 Interview: Sophie Fiennes on Grace Jones: Bloodlight and Bami and performativity
‘Being a bitch is not necessarily what you’re doing, but how you’re perceived.’ – Director Sophie Fiennes on making Grace Jones: Bloodlight and Bami