Every documentarian has a unique approach to filmmaking, but you might not expect that Frederick Wiseman and Gianfranco Rosi often have polar opposite approaches to making their films. Based on two interviews with each documentarian, we break down their many points of difference, and a few similarities, in their approaches.
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How do you edit a documentary? Gianfranco Rosi on Fire at Sea
In our second behind-the-scenes look at the film, Gianfranco Rosi talks editing Fire at Sea: how he narrows down his documentary footage and shapes it into a narrative in the editing room.
Gianfranco Rosi on his Berlinale winner Fire at Sea
Gianfranco Rosi discusses the making of Fire at Sea (Fuocoammare): finding his protagonist, developing the film’s aesthetic, creating the sound mix, and discovering the film’s title.
TIFF16: Writer-director-star Alice Lowe discusses Prevenge
Alice Lowe discusses the making of Prevenge, her wickedly funny directorial debut, from conception through to completion. Shot when she was seven months pregnant, the film is a revenge movie in which a foul-mouthed fetus sends its mother, Ruth (Alice Lowe), on a killing spree.
Joshua Oppenheimer discusses his haunted, ‘magical realist’ doc The Look of Silence
Joshua Oppenheimer discusses his collaboration with Adi Rukun, the importance of empathy, and the magical realist landscape and soundscape of his Oscar-nominated documentary The Look of Silence.
Unlocking the Cage on chimpanzee rights
Do intelligent non-humans like chimpanzees, elephants, and dolphins deserve human-like rights? According to Steven Wise, the animal rights lawyer at the centre of Chris Hegedus’ and D.A. Pennebaker’s documentary Unlocking the Cage, it’s overdue.