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Canadian Cinema

Promoting and spotlighting Canadian Cinema is one of the goals of The Seventh Row. Here you'll find reviews of Canadian films and interviews with Canadian directors.

A still from Nadia Butterfly next to a headshot of cinematographer Stéphanie Anne Weber Biron. The text on the image reads, 'Interview'.

Orla Smith / April 23, 2021

Cinematographer Stéphanie Anne Weber Biron’s colourful visual worlds

Stéphanie Anne Weber Biron was recently nominated for a Canadian Screen Award for Nadia, Butterfly. We speak to her about shooting that film and Andrea Dorfman’s Spinster.

A headshot of actor Théodore Pellerin. Behind and in front of his face is multiple iterations of his last name: Pellerin, each a different shade of purple or yellow.

Justine Smith / April 19, 2021

The elegance and awkwardness of Théodore Pellerin

Rising star Théodore Pellerin (Genèse, Never Rarely Sometimes Always) has the charisma of a leading man and the energy of a scene-stealing character actor. He discusses his career so far.

Alex Heeney / March 2, 2021

Danis Goulet on her Indigenous sci-fi thriller Night Raiders

Cree filmmaker Danis Goulet discusses her feature debut Night Raiders, which looks at motherhood and the horrors of residential schools through a sci-fi lens.

Stills from Spinster, No Crying at the Dinner Table, First Stripes, Nadia Butterfly, and Monkey Beach,in front of a swirling red background.

Seventh Row Editors / January 11, 2021

The best Canadian films of 2020

Seventh Row’s editors pick the 10 best Canadian films released in 2020 and the 10 best Canadian world premieres.

A headshot of director Brandon Cronenberg in front of a still from his film, Possessor. The text on the image reads 'Interview'.

Lena Wilson / December 24, 2020

Brandon Cronenberg on process, penises, and Possessor

Brandon Cronenberg discusses his fucked up horror film Possessor and its many unintentional penetration metaphors.

Alex Heeney / December 9, 2020

Sophie Dupuis explores masculinity in a Quebec mine in Souterrain

Sophie Dupuis’s second film, Souterrain, is a thoughtful exploration of the emotional lives of men working in a Quebec mine.

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