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Film Reviews

Here you will find every film review we've written. These include: festival films, new releases, and older films.

Saul Willliams as Akilla, bathed in red lighting, in Akilla's Escape.

B. P. Flanagan / September 23, 2020

TIFF Review: Akilla’s Escape is a tempered Saul Williams showcase

Charles Officer’s Akilla’s Escape works best at its most stripped back, but too often the film gets caught up in tired crime tropes.

A couple embraces in Naomi Kawase's True Mothers.

Alex Heeney / September 22, 2020

TIFF Review: True Mothers explores the trauma and shame of motherhood

True Mothers is one of Naomi Kawase’s best films to date, a thoughtful drama about the shame associated with unconventional motherhood.

A man sits in a darkened room surrounded by newspapers in The Best is Yet to Come.

B. P. Flanagan / September 20, 2020

TIFF Review: The Best is Yet to Come is a freelancer’s wet dream

Jing Wang’s directorial debut, The Best is Yet to Come, is a middle-of-the-road story on the value of journalism has little new to offer.

A still from The New Corporation.

B. P. Flanagan / September 20, 2020

TIFF Review: The New Corporation: The Unfortunately Necessary Sequel is less than necessary

Jennifer Abbott and Joel Bakan’s The New Corporation is a documentary sequel to The Corporation that’s not as radical as it thinks it is.

Alex Heeney / September 17, 2020

TIFF Review: Bandar Band is a road trip through the 2019 Iran floods

The 2019 Iran floods are the backdrop of director Manijeh Hekmat’s often lighthearted film, Bandar Band.

Aida stares at the camera in Quo Vadis, Aida?

Orla Smith / September 16, 2020

TIFF Review: Bosnian genocide drama Quo Vadis, Aida? grapples with complicity

Jasmila Žbanic’s Quo Vadis, Aida?, a harrowing drama about the 1995 Bosnian genocide, is one of the best films of TIFF 2020. Find out why…

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