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Film Reviews

Here you will find every film review we've written. These include: festival films, new releases, and older films.

Jeffrey, TIFF Dropbox Award

Elena Lazic / September 27, 2016

Yanillys Perez’ TIFF16 Dropbox Award Winner Jeffrey

Yanillys Perez’ feature debut, which won the TIFF 16 Dropbox Award for the Discovery Section, is a work of creative nonfiction. Perez mixes magic realist voiceover with a social realist approach to its optimistic, clear-eyed, and poetic subject: Jeffrey, a charming and driven 12-year-old boy who dreams of becoming a famous reggaeton & dembow singer.

Women He's Undressed, Orry-Kelly

Laura Anne Harris / September 20, 2016

In Women He’s Undressed, Designer Orry-Kelly finally gets his moment in the sun, and boy is he fabulous!

Gillian Armstrong’s new documentary, Women He’s Undressed, resurrects the witty and cheeky Orry-Kelly to tell his life story and illuminate the art behind his historic costume designs.

City of Tiny Lights, Riz Ahmed

Alex Heeney / September 15, 2016

TIFF16 Review: Riz Ahmed stars in City of Tiny Lights

City of Tiny Lights, a modern noir story set in London, is a great showcase for Riz Ahmed’s talents. However, its ambition of addressing the immigrant experience and islamophobia prove more admirable than the execution.

Daguerrotype, Kiyoshi Kurosawa

Mary Angela Rowe / September 15, 2016

TIFF16 Review: Killed into art? Kiyoshi Kurosawa’s Daguerrotype

Kioyshi Kurosawa’s latest eerie offering, Daguerrotype, is a well-crafted aesthetic effort with little actual resonance screening in the TIFF Platform competition.

I Am Not Madame Bovary, Fan Bingbing

Mary Angela Rowe / September 11, 2016

TIFF 16 Review: I Am Not Madame Bovary

Feng Xiaogang experiments with new aspect ratios in I Am Not Madame Bovary, his caustically funny satire of Chinese bureaucracy. Starring Fan Bingbing, the film feels more like a fable than a realistic tale.

Below Her Mouth

Alex Heeney / September 11, 2016

TIFF16: Below Her Mouth is cringeworthy

Below Her Mouth attempts provocation and frank depictions of lesbian sex, but it forgets the emotion in its love story.

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