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Gender and Sexuality

Explore depictions of masculinity, femininity, and sexual identity.

Handsome Devil

Alex Heeney / June 20, 2017

Toronto’s InsideOut Film Festival highlighted great queer coming-of-agers

Toronto’s InsideOut Film Festival, a showcase for current LGBT cinema, featured several great queer coming-of-agers from around the world: Handsome Devil, A Date for Mad Mary, In Between, and God’s Own Country.

Seventh Row Editors / May 21, 2017

The perils of writing while female

We called his film sexist. He tried to destroy our credibility. This is a story of sexism in the film journalism industry.

Distant Voices, Still Lives

Brett Pardy / April 20, 2017

A tyrant and control freak: the patriarch in Davies’ Distant Voices, Still Lives prefigures the father figures in his later films

In Terence Davies’ films, fathers tend to control the domestic sphere: the abusive patriarch in Distant Voices, Still Lives, based on Davies’ own father, prefigures those of Davies’ later literary adaptations. Editor’s note: This is the fifth feature in our Special Issue on Terence Davies’ A Quiet Passion, which can be read in full here.

Quiet Passion, Terence Davies

Gillie Collins / April 14, 2017

Review: A Quiet Passion charts Emily Dickinson’s subtle rebellion

In A Quiet Passion, Terence Davies’ new biopic, Emily Dickinson, the famously reclusive poet, comes to life as an understated renegade, who deserts gendered orthodoxies to pursue her art. This is the first article in our Special Issue on A Quiet Passion.

Close-Knit

Elena Lazic / April 11, 2017

Review: Close-Knit marks an important milestone for Japanese LGBTQ cinema

Naoko Ogigami’s Close-Knit is a charming, if disappointingly conservative, family drama about a girl who finds herself being raised by a transgender woman.

Raw, Julia Ducournau

Mary Angela Rowe / March 10, 2017

Julia Ducournau’s Raw is a new kind of female body horror

Mary Angela Rowe’s review of Raw. Cannibalism is definitely a lady problem in Julia Ducournau’s Raw, but the film isn’t about the horror of female sexuality so much as the twisted results of shoving young women into a pressure cooker of experiences and expectations.

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