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Essays

LFF short film competition, 2019 short films

Seventh Row Editors / November 7, 2019

LFF 2019’s best short films spotlight future great filmmakers

Orla Smith and Ben Flanagan pick their four favourite competition short films at the 2019 London Film Festival.

Unsane, Steven Soderbergh

Scott Wilson / November 5, 2019

Steven Soderbergh’s Unsane gives form to society’s systemic sexism

Steven Soderbergh’s Unsane explores systemic sexism by comparing and pairing stalker David Strine with a corrupt medical facility. This is an excerpt from our book, Beyond empowertainment

Raw, We Are What We Are

Rosie McCaffrey / November 5, 2019

‘It is with love that I do this’: Cannibalism and power under patriarchy in Raw and We Are What We Are

In Raw and We Are What We Are, the cannibalism metaphor is used to explore what it is to be a woman living under patriarchy, in both the macro and the micro.

Thelma, Joachim Trier, Eili Harboe

Orla Smith / November 5, 2019

Thelma is more than just a modern Carrie

Thelma has been compared to Brian De Palma’s Carrie, but Trier gives his female lead agency whereas Carrie was simply a victim.

Alex Heeney / November 5, 2019

Personal Shopper conflates depression with technological obsession

In Personal Shopper, the boundary between Maureen and others is both because of technology and merely exacerbated by it.

Seventh Row Editors / October 28, 2019

Ep. 21: Feminist horror

Episode 21 celebrates our new ebook, Beyond empowertainment: Feminist horror and the struggle for female agency. In addition to discussing the films featured in the book, Editor-in-Chief Alex Heeney, Executive Editor Orla Smith, and Editor at Large Mary Angela Rowe talk about what feminist horror is, the strengths of the horror genre, and the book’s origins.

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