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Essays

Beguiled, Sofia Coppola

Mary Angela Rowe / June 30, 2017

Review: Grace and violence mingle in The Beguiled

In Sofia Coppola’s The Beguiled, violence erupts in Miss Martha’s seminary, poorly-defended citadel of virtue, but the women never lose their poise.

Drunk Shakespeare

Noemi Berkowitz / June 28, 2017

Drunk Shakespeare is a riveting mix of Macbeth and tequila

Drunk Shakespeare is an abridged 90-minute whirlwind version of Macbeth full of jokes, drinks, and audience participation.

After Louie, Frameline Film Festival

Alex Heeney / June 28, 2017

San Francisco’s Frameline Film Festival showcases under-the-radar LGBTQ films

For Bay Area cinephiles, the Frameline LGBTQ Film Festival is often an opportunity to catch up with queer films that previously screened at the San Francisco International Film Festival. But it’s also a chance for the films to find an entirely new audience.

Mary Angela Rowe / June 22, 2017

Review: The Bad Batch is frustratingly undercooked

Ana Lily Amirpour’s wasteland survival story, The Bad Batch raises a lot of issues while never quite getting to its point.

Handsome Devil

Alex Heeney / June 20, 2017

Toronto’s InsideOut Film Festival highlighted great queer coming-of-agers

Toronto’s InsideOut Film Festival, a showcase for current LGBT cinema, featured several great queer coming-of-agers from around the world: Handsome Devil, A Date for Mad Mary, In Between, and God’s Own Country.

Speakeasy

Noemi Berkowitz / June 15, 2017

Review: San Francisco’s beautiful The Speakeasy is more bar than theatre

San Francisco’s site-specific The Speakeasy from Boxcar Theatre invites you into a Prohibition-era haunt with amazing period costumes and design but fall shorts on story.

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