Based on Ojibwe author Richard Wagamese’s novel set in the 1960s, Stephen Campanelli’s Indian Horse uses the hook of Canada’s national sport — hockey — to grapple with Canada’s darkest policy: the Indian residential school system. Read the rest of our TIFF coverage here.
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Explore stories about marginalized groups and the pursuit of a more fair society.
The Florida Project provocatively depicts poverty with respect
Sean Baker’s latest, The Florida Project, avoids being an exploitative portrayal of poverty by empathetically portraying its characters’ daily struggles, and giving time to a variety of perspectives. Read our interview with Sean Baker on Tangerine here.
[Read more…] about The Florida Project provocatively depicts poverty with respectTIFF Review: In Luk’Luk’I, Vancouver plays itself, but the Olympics don’t
Contrasting the patriotism of the Olympics with daily struggles in Vancouver’s Downtown Eastside, Wayne Wapeemukwa’s Luk’Luk’I explores the shallowness of national identity.
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Review: Whose Streets? is more the story of a people than of individuals
Whose Streets? is a documentary about on-the-ground activism in the Ferguson uprising by filmmakers Sabaah Folayan and Damon Davis.
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Elle and Big Little Lies: Progressive representations of violence against women
Paul Verhoeven’s Elle and Jean-Marc Vallée’s Big Little Lies share the common goal of unmasking the omnipresence of misogyny via its horrific manifestations in violence. In both universes, the best protection from violent men is trusting other women.
This is an excerpt of the essay which appears in the ebook Beyond Empowertainment: Feminist Horror and The Struggle for Female Agency. Get your copy of the ebook here.
[Read more…] about Elle and Big Little Lies: Progressive representations of violence against womenReview: In Sami Blood, an Indigenous Swedish girl is caught between two worlds
Amanda Kernell’s Sami Blood is an astonishingly accomplished and movie feature debut, which follows an Indigenous Swedish girl caught between two worlds. Read our interview with writer-director Amanda Kernell. Read our review of Kernell’s second feature, Charter.
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