Director Tea Lindeburg discusses her remarkable film As in Heaven about a day in the life of a teenage girl about to lose everything in 1880s Denmark.
Establishing Shots
Promising emerging filmmakers discuss their first feature film.
Grace Glowicki on the strange experiments of her directorial debut, Tito
After her Canadian Screen Award nomination for Best First Feature, we spoke with multi-hyphenate Grace Glowicki about Tito, her oddball directorial debut.
Charlène Favier on Slalom, her sensitive sexual abuse drama
Charlène Favier discusses her debut feature film, Slalom, which depicts childhood sexual abuse in the world of high level sports, a world Favier knows from personal experience.
Everything in the End: Mylissa Fitzsimmons on making her no-budget feature debut
Mylissa Fitzsimmons tells us how she made her beautiful, apocalyptic debut feature, Everything in the End, in Iceland with four crew members and only $30,000.
‘A film about nothings that overwhelm you’: Kateryna Gornostai on Stop-Zemlia
Kateryna Gornostai discusses making an ensemble coming-of-age film where everything for the characters is happening for the first time.
‘The idea for the sound design was accepting silence’: Iuli Gerbase on The Pink Cloud
Brazilian filmmaker Iuli Gerbase discusses her feature debut, The Pink Cloud, about a couple unable to leave their homes for years but shot before the pandemic.