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Film Festivals

A still from Mad Women's Ball, in which two women stare each other down in a dimly lit, dingy hospital room.

Orla Smith / September 12, 2021

TIFF Review: The Mad Women’s Ball is a shallow look at ‘female hysteria’

Mélanie Laurent’s The Mad Women’s Ball suffers in comparison to Alice Winocour’s Augustine (2011), which tackles the same story with more psychological complexity.

Alex Heeney / September 12, 2021

Benediction thoughtfully depicts a community of gay men

Benediction may be Terence Davies’s gayest film yet: a character study of a WWI poet who keeps trying to reinvent himself and find solace.

A still from Aloners, in which a young woman sits at a table, her head downturned, her face passive. The text on the image reads 'TIFF Review'.

Orla Smith / September 10, 2021

TIFF Review: Aloners is a melancholy ode to society’s loners

South Korean filmmaker Hong Seong-eun’s Aloners is a low-key film about loneliness and how capitalism takes advantage of depressed people.

A still from Scarborough in which three young kids lie down on a colourful floor, gazing happily at the ceiling. The text on the image reads 'TIFF Review'.

Orla Smith / September 10, 2021

TIFF Review: Scarborough is one of the festival’s most stirring crowdpleasers

Scarborough, from directors Rich Williamson and Shasha Nakhai, is a big-hearted portrait of families in a low-income neighbourhood.

A collage of stills of the best emerging actors at TIFF 2021.

Seventh Row Editors / September 9, 2021

Eleven emerging actors to watch at TIFF 2021

Seventh Row’s editors pick the emerging actors to watch at TIFF 2021, in films from Benediction to The Worst Person in the World.

A collage of stills from the best shorts at TIFF 2021, plus the TIFF logo.

C.J. Prince / September 8, 2021

Ten must-see shorts at TIFF 2021

C.J. Prince picks the best shorts at TIFF 2021, which includes new works from Seventh Row favourites Albert Shin and Zacharias Kunuk.

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