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Film Festivals

A still of Kristine Thorp in Ninjababy next to a headshot of director Yngvild Sve Flikke. The text on the images reads, 'Interview'.

Orla Smith / March 3, 2021

‘I’m sick of poetic sex scenes’: Yngvild Sve Flikke and Kristine Thorp on Ninjababy

Writer-director Yngvild Sve Flikke and actress Kristine Thorp discuss their subversive pregnancy comedy, Ninjababy, one of the best of the Berlinale.

A man hangs up a French flag on an outdoor pole in Nous. The text on the image reads, 'Review'.

Orla Smith / March 2, 2021

Berlinale Review: Alice Diop documents the Paris suburbs in Nous

Alice Diop’s documentary Nous is a portrait of Paris, told through intimate vignettes of citizens living in the suburbs.

A still of Magdalena Kolesnik in Sweat, next to a headshot of writer-director Magnus von Horn. The text on the image reads, 'Interview'.

Orla Smith / February 27, 2021

‘Influencers are everywhere, yet there’s no films about them’: Magnus von Horn on Sweat

At the International Film Festival Rotterdam, we caught up with Magnus von Horn, writer-director of Sweat, who spoke about making one of the first great films about an influencer.

A still of Ana Katz in front of a still of The Dog Who Wouldn't Be Quiet. The text on the image reads 'Interview'.

Alex Heeney / February 25, 2021

The Dog Who Wouldn’t Be Quiet: Ana Katz on the best film of Sundance

Ana Katz’s The Dog Who Wouldn’t Be Quiet was our favourite film of Sundance and won awards at IFFR. We spoke with Katz about collaborating with her brother over a three year shoot.

A collage of stills from Final Girls Berlin 2021 films. The text on the image reads 'Final Girls Berlin Film Fest'.

Lindsay Pugh / February 23, 2021

Highlights from the Final Girls Berlin Film Festival 2021

Lindsay Pugh runs down the best of Final Girls Berlin 2021, from Your Monster to Time of Moulting to The Returned.

A young man and woman smile at someone off camera in this still from Aristocrats. The text on the image reads, 'Review'.

Orla Smith / February 22, 2021

IFFR Review: Aristocrats compares two women’s freedom in class-conscious Tokyo

Yukiko Sode’s Aristocrats, which world premiered at the International Film Festival of Rotterdam (IFFR), follows two Tokyo women of different social classes who are both romantically connected to the same man.

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