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Film Festivals

Jumbo, Noemie Merlant, Zoe Wittock

Orla Smith / January 27, 2020

Sundance ’20 review: Jumbo and Objectum Sexuality

Noémie Merlant shines as a woman in love with a fairground ride, but Jumbo lacks psychological insight into the real phenomenon of Objectum Sexuality.

Alex Heeney / January 26, 2020

Sundance ’20 Review: Summer White (Blanco de Verano)

Rodrigo Ruiz Patterson’s Summer White is a haunting story about a toxic mother-son relationship that gets interrupted by her new beau.

Surge, Aneil Karia, Sundance, Ben Whishaw

Orla Smith / January 26, 2020

Sundance ’20 review: Surge

The sound design in Surge submerges us in a fractured mind, but that doesn’t save the film from feelings like Ben Whishaw’s discarded Joker audition tape.

Alex Heeney / January 23, 2020

Sundance ’20 Review: Cuties (Mignonnes)

Maïmouna Doucouré’s Cuties is an often compelling crowd-pleaser, if somewhat under-baked, which looks at how girls end up becoming over-sexualized at a young age.

LSFF 2020, Exam film, Azaar film, Short Calf Muscle film, She Runs film

Orla Smith / January 23, 2020

From funny shit to midnight madness: The best shorts of LSFF 2020

Orla Smith picks eight great film from the 2020 London Short Film Festival (LSFF), one of the funnest film festivals in the UK.

Alex Heeney / January 8, 2020

A closer look at the TIFF 2019 Platform Competition

Proxima and My Zoe set the bar for what we should expect from female characters in film in TIFF’s Platform Competition, its flagship program for emerging filmmakers.

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