Indigenous Australian director Warwick Thornton talks being his own cinematographer on Sweet Country, shooting on Alexa and UV, and developing the film’s aesthetic.
Film Festivals
Review: Indian Horse and the limits of allyship in adaptation
Based on Ojibwe author Richard Wagamese’s novel set in the 1960s, Stephen Campanelli’s Indian Horse uses the hook of Canada’s national sport — hockey — to grapple with Canada’s darkest policy: the Indian residential school system. Read the rest of our TIFF coverage here.
Director Ann Shin on making My Enemy, My Brother
Director Ann Shin and producer Hannah Donegan discuss the making of My Enemy, My Brother, Shin’s poignant documentary about two men who fought on opposite sides of the Gulf War.
Interview: Atsuko Hirayanagi on her female midlife crisis comedy Oh Lucy!
Atsuko Hirayanagi discusses her debut feature Oh Lucy!, a rare film that centres a complex middle-aged woman as the lead.
Director Rungano Nyoni on her Zambia-set debut I Am Not a Witch
Zambia-born, Cardiff-raised director Rungano Nyoni discusses her first feature I Am Not a Witch — which tackles patriarchal constraints on women in Zambia — and her own experiences with sexism in the film industry. The film is now available on VOD.
Best of Sundance: White Rabbit flips stereotypes
Sundance highlight White Rabbit is the rare truly intersectional film about LA artists and adult friendship. Director Daryl Wein and breakout star Vivian Bang discuss writing the film together and telling stories off the beaten path.