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Film Festivals

Céline Sciamma, Girlhood

Alex Heeney / February 1, 2015

‘Cinema is the only art ever where you share somebody’s loneliness’ and other insights from Céline Sciamma

Céline Sciamma discusses her third film Girlhood: the genesis of the film, how cinema is the only art form in which you can share someone else’s loneliness, and how she created the remarkable Rihanna scene.

Brooklyn

Alex Heeney / January 30, 2015

Review: John Crowley’s moving, romantic Brooklyn

Colm Toíbin’s novel Brooklyn was in many ways a perfect book, a taut and heartwrenching story of a young Irish woman, Eilis, and her traumatic experience immigrating to America in the 1950s: the way it left her in limbo, no longer comfortable in Ireland and always an outsider in her new home. John Crowley’s screen adaptation, written by the incomparable Nick Hornby, is even more emotionally resonant — if not as poetically constructed as Toíbin’s prose — in part because it’s a more modern, feminist take on the story.

Ine Wilmann, Anne Sewitsky

Alex Heeney / January 30, 2015

Director Anne Sewitsky and actress Ine Wilmann on Homesick

Norwegian director Anne Sewitsky’s (Happy, Happy) wonderful new film, Homesick, screened at the Sundance Film Festival this week in the World Dramatic Competition. Starring Ine Marie Wilmann, who gives a terrific performance, the film follows a late 20-something children’s dance teacher, Charlotte, who, because she never received any real parental love, has become desperate, clingy, and […]

Alex Heeney / January 29, 2015

Sundance Review: Sewitsky’s touching and complex Homesick is among the festival’s best

Norwegian filmmaker Anne Sewitsky’s Homesick is moving, funny, and devastating — and one of the best films at Sundance 2015. Homesick is now streaming on Netflix UK

Alex Heeney / January 19, 2015

Sundance 2015 Review: Larry Kramer in Love and Anger captures both the man and the LGBT movement

By laying bare the horrors of dealing with AIDS in the 1980s and 1990s, Carlomusto infuses us with the same anger and impatience that Kramer felt.

Alex Heeney / October 12, 2014

Best of TIFF14: ‘The New Girlfriend’ is François Ozon in top form – whimsical, funny, thoughtful about gender and sexuality

The list of generally accepted labels may have expanded in the last thirty years, to comfortably include gay and trans, but the need to label hasn’t become obsolete yet. With “The New Girlfriend,” Ozon reminds us that defying labels isn’t something we outgrow, but often a natural part of a person’s identity, of any age.

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