Set in the Dominican Republic, Sand Dollars follows a local twenty-something Noeli (Yanet Mojica) who makes her living by sleeping with the rich European tourists.
Film Festivals
Women shine behind the camera at SFIFF58
One of the great pleasures of attending the San Francisco International Film Festival is the ability to binge on films by female auteurs, which are much harder to come by throughout the year. This year, you can catch Helen Hunt’s sophomore feature, Ride, a follow-up to her wonderful debut “Then She Found Me.” It’s also […]
Sundance Review: Take Me to the River is creepy, unsettling, and a tad thin
Perhaps the most polarizing film at this year’s Sundance Film Festival, writer-director Matt Sobel’s Take Me To The River has left some critics grossed out and others fascinated with this evocative, probing mood piece that winds up a bit thin.
Best of Sundance NEXT 2015: Poekel’s bittersweet and quiet Christmas Again
Christmas, Again is a quiet, subtle film from writer-director Charles Poekel, about a lonely man, aptly named Noel (Kentucker Audley), who spends the week before Christmas selling and delivering Christmas trees.
‘Cinema is the only art ever where you share somebody’s loneliness’ and other insights from Céline Sciamma
Céline Sciamma discusses her third film Girlhood: the genesis of the film, how cinema is the only art form in which you can share someone else’s loneliness, and how she created the remarkable Rihanna scene.
Review: John Crowley’s moving, romantic Brooklyn
Colm Toíbin’s novel Brooklyn was in many ways a perfect book, a taut and heartwrenching story of a young Irish woman, Eilis, and her traumatic experience immigrating to America in the 1950s: the way it left her in limbo, no longer comfortable in Ireland and always an outsider in her new home. John Crowley’s screen adaptation, written by the incomparable Nick Hornby, is even more emotionally resonant — if not as poetically constructed as Toíbin’s prose — in part because it’s a more modern, feminist take on the story.